Category Archives: History/Culture
Mantova
Palazzo Te
The legacy of the Dukes of Mantova is most apparent today in the Palazzo Ducale, an architectural complex comprising several buildings connected by various corridors and galleries, and including internal gardens and courtyards. In the Palazzo Ducale one finds the famous Camera degli Sposi (Chamber of the Newlyweds), with frescoes by Andrea Mantegna, dedicated to Ludovico Gonzaga and to his wife Barbara of Brandenburg. Another must-see in Mantova is Palazzo Te, designed by Giulio Romano in 1525 at the behest of Federico II Gonzaga. This palace, home to Federico’s “official” lover Isabella Boschetti, was built on a small wooded island in the midst of a lake since vanished. It contains the famous Sala dei Giganti, the Sala di Amore and Psyche, and the Sala dei Cavalli (the Gonzaga horse stables were famous all over Europe at that time.) Of course the city contains many more buildings of note, both secular and religious (more about Mantova) The immense Piazza Sordello, bounded on one side by the Palazzo Ducale, is the center of the old city, reached immediately by crossing one of the bridges spanning the Mincio. Palazzo Te is at the other end of the city, presumably to keep wife and official lover as far apart as possible.
Naples Redux
Naples’ artistic and cultural patrimony dates back two millennia, but there IS a vibrant, young Naples of music and spectacle awaiting the adventurous visitor. A place of modern entertainment, where various types of contemporary music can be enjoyed, is Galleria 19 (read: Galleria Diciannove), which is located on via San Sebastiano, in Naples’ historical center, very close to Via dei Tribunali.
As glossy and hip as any equivalent establishment in the Haight or in SoHo, Galleria 19 offers disco, contemporary pop, jazz, instrumental and vocal, often with local musicians and singers performing live. The locale, reached by going down a few steps from street level, is a remodeled old book repository, long and narrow, with the stage at the far end and a hypermodern bar along the left side. Comfortable chairs and love seats are strewn along the right side, leaving a center space for dancing. Want to rearrange the furniture to suit your group’s seating preferences? By all means forget stuffy american rules and redecorate: this is free-form Naples, where rules are kept to a minimum.
History
The ambience is a suggestive, atmospheric blend of severe ancient walls wearing the latest fashion in art and lighting. Most of the clientele, young people in their twenties and early thirties, are there in their evening best. Nowhere else in all of Naples will you see such expanses of long, stockinged female legs, ending in feet encased in pumps sporting 8-centimeter stiletto heels. As for the quintessential little black dress, this is the place to show it off, and they are little indeed. The young men do their best to keep up, in their form-fitting short coats and pants from Fusco. Definitely a feast for the eyes.
Faenza
Faenza
Palazzi, porticoed squares and a Cathedral of pure Tuscan forms
Faenza’s outstanding architectural attractions are concentrated in the two contiguous main squares: Piazza del Popolo, lined by two spectacular porticoed wings, and Piazza della Libertà. The Palazzo del Podestà and the Town Hall, both of medieval origin, stand in Piazza del Popolo. Along the east side of Piazza della Libertà one finds the splendid Cathedral. Of clear Tuscan influence, it is one of the highest expressions of Renaissance art in Romagna. Built to Giuliano da Maiano’s design, it was begun in 1474 and completed in 1511. Opposite the Cathedral the open gallery known as the Goldsmith’s Portico, built in the first decade of the 17th century, and the monumental fountain whose bronzes date to the same period, attract the eye. The Clock Tower, in front of the entrance to the Piazza, is a postwar rebuilding of the 17th century tower that stood at the crossroad of the cardo and the decuman gate of the Roman Faventia.
Napoli sotterranea
Napoli sotterranea
The treasures of Naples are endless. I know the city, and yet in the course of three days there we found things new and undreamed of. One of these is Napoli Sotterranea, the subterranean city above which the modern city is built. This consists of an extensive network of underground passages, caverns and cisterns, whose deepest recesses date back to pre-Christian Greek times. Above the Greek layer one finds structures dating from Roman times, and above these one finds medieval walls and artifacts. The underground city exists for several reasons: first of all, in constructing their buildings, Neapolitans simply used the surrounding tufa, the volcanic rock ubiquitous in the region. So, as a palace or a church went up, a hole was created by the quarrying of the building material. A key use for this growing network of underground passages, then, since ancient times, was the storage of water for the city. The water came from springs in the Apennine mountains, according to the ancient techniques of the Romans, who were able to build long aqueducts without pumps. Amazingly, this water collection and delivery system persisted into the 19th century, when, because of contamination from seeping sewage, it was abandoned in favor of the current hydraulic system.
Palinuro
Palinuro
Message from my cousin Mimmo. We’re vacationing in Palinuro (which I already knew), come join us for the weekend, we have reserved a bungalow for you right next to our villa. We have no plans, no appointments, no internet, no house, no car. It’s a rare state of Nirvana. We have our telefonini and some dollars. Change some of those right away, switch to the vertiginously expensive euro. TIP: it’s always better to change to a currency in that currency’s home country.
So, what can I tell you about Palinuro, the ancient mariner? Well, let’s don’t talk about the ancient mariner, go to Wikipedia if you are interested, there IS a story. Let’s instead talk about the little town which is named after him. First of all, you can travel from Naples to Palinuro for free. Or maybe it just happens on Fridays. Be that as it may, we did honestly try to buy train tickets, but time was short and the lines were long and the ticket machines didn’t work. So we got on the train ticketless, resigned to paying the fine when the conductor came. But lo!, no conductor in sight for the entire 2-plus-hour trip, hence the proverbial free ride. And did I mention the free entertainment? Opposite us there sat a gentleman who would not stop obsessing about the train’s punctuality. On a little piece of paper he noted the arrival and departure times at each station, kept a tally of the number of seconds we were early or late, and a running (mono/dia)logue on the train’s performance. After the fourth stop it was all I could do to keep from ripping pen and paper from his fingers and tossing both out of the window!
All Roads lead to Rome
Spokane
So, here’s a question: how does one get to Italy by the fastest and most economical route? Answer, one drives from one’s home on the Peninsula to San Diego on a Friday, drives back to the Peninsula the following Monday, pauses three days, then drives to Spokane, Washington. After five days in Spokane he boards a flight from Spokane to Seattle, a second flight from Seattle to New York, and a third from New York to Naples (not Florida, Italy!) Then he rides a train or a car from Naples to Rome, and voila, e’ arrivato!
I kid you not, friends, Romans and countrymen, this is the odyssey, or calvary, depending on your point of view. And I will spare you the details of the trasloco from hell. For there’s beauty, justice and righteousness in this chain of events, as I will explain below.
One goes to visit foreign cultures in part to experience and savor the differences relative to one’s own. In a sense, the starker the differences the more rewarding the visit to foreign parts. But what is the culture we have in the Bay Area? Multiethnic, multilingual, admixtures of Asian elements, European, South American, etc. etc. Everything is diffuse, boundaries are fuzzy, hybrid customs proliferate, cultural transitions become matter-of-fact and ordinary. Transitioning from such an environment to a foreign milieu is inevitably a gentle and gradual process for a traveler already cushioned against cultural shock by years of exposure to foreign customs and practices.
Il Teatro San Carlo a Napoli
Teatro San Carlo
The construction of the Teatro San Carlo was only one aspect of a general urban renovation whose purpose was to give Naples a physical appearance in line with the dignity and the prestige of the capital of a great kingdom. Within the scope of this general plan, the San Carlo was conceived as a fitting symbol of the royal power and of the dynasty’s support of the musical arts, a passion long inbred in the depths of the Neapolitan psyche. The San Carlo replaced the old (1621) and small Teatro San Bartolomeo, which was eventually made into a church.
Italian Tours
Ponte Vecchio in Florence, Italy
Starting in the spring of 2012, the Istituto Educazione Italiana will begin offering guided tours to Italy of approximately two-weeks duration. The tours will concentrate on history, art and culture, as well as gastronomy and leisure.
The tours are organized by Mario Fusco and Angelica di Chiara, both natives of Italy and knowledgeable of the language and culture of the country. By using their extensive network of contacts in Italy Mario and Angelica are able to offer uniquely customized tours not available from commercial organizations. Mario and Angelica accompany each tour and provide value added in the form of language instruction, historical narrative, insights in the art and culture, and personalized interactions with “real” Italians in Italy. And of course they will deal with any unforeseen circumstances that might arise while traveling. The personal approach makes it also possible to contain costs and to offer significant value for the traveler’s money.
The first tour if offered in May-June 2012. Please go to the Italian Tours page for details.
Little Known Italy – BOLOGNA
Le Due Torri
The relative obscurity of the city (compared to Florence and Venice, say), is perhaps due to the lack of an overarching artistic or architectural masterpiece to serve as a magnet for the attention of tourists and art aficionados, such as the David in Florence or the Sistine Chapel in Rome. And in fact the artistic importance of Bologna is due primarily to an homogeneous aggregation of first-class architectural and artistic masterpieces out of which it would be difficult to single out a distinct work for special recognition.
Italian Citizenship Once More
La Farnesina
Well, enough ranting and raving. I know several people (including myself), who share Gianni Stecchino’s predicament. I would be interested in knowing how many of us there are and in exploring the possibility of getting something done by concerted mass action. Could we write and all sign a letter of protest to the MAE? Could we write letters to the NIAF? Can we lobby friends and acquaintances here and in Italy? Can we take out announcements in the Italo Americano and other publications? Can we establish a formal organization of “disenfranchised Italians”, with an official agenda, a war chest, and whatever else it takes? Any other ideas?
Reply to this post if you want to be heard, and we’ll see where this goes.